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				Comments 
				by 
				
				Aleister 
				 
				Crowley: |       In January 1918, I 
				published a revised version of the "Message 
				of the Master Therion" and also of the "Law of 
				Liberty", a pamphlet in which I uttered a panegyric upon the Law 
				as the key to freedom and delight. (To get rid of the subject I 
				had better mention here the other magical essays which appeared 
				in The International: "Cocaine", 
				"The Ouija Board", "Concerning Death", "Pax Hominibus Bonae 
				Voluntatis", "Geomancy", "Absinthe", 
				"De Thaumaturgia", "Ecclesiae Gnosticae Canon Missae". Of these,
				Liber XV, its scope and purpose, I have already described 
				at length.) The point which I wish to bring out is that despite 
				the constraint imposed upon me by the requirements of public 
				taste, I succeeded in proclaiming the Law to a wide audience of 
				selected readers, explaining its main principles and general 
				import in straightforward language, and also in putting over a 
				large amount of what was on the surface quite ordinary 
				literature, but implying the Law of Thelema as the basis of 
				right thought and conduct. In this way I managed to insinuate my 
				message perhaps more effectively than could possibly have been 
				done by any amount of visible argument and persuasion. The 
				Scrutinies of Simon Iff are perfectly good detective 
				stories, yet they not only show a master of the Law as competent 
				to solve the subtlest problems by considerations based upon the 
				Law, but the way in which crime and unhappiness of all sorts may 
				be traced to a breach of the Law. I show that failure to comply 
				with it involves an internal conflict. (Note that the 
				fundamental principle of psychoanalysis is that neurosis is 
				caused by failure to harmonize the elements of character.) The 
				essence of the Law is the establishment of right relations 
				between any two things which come into contact: the essence of 
				such relations being "love under will". The only way to keep out 
				of trouble is to understand and therefore to love every 
				impression of which one becomes conscious. 
				     — The Confessions of Aleister Crowley.  
				New York, NY.  Hill and Wang, 1969.  Page 828.  ______________________________ 
				   
				     We 
				may now return to the subject of the initiation itself. Besides 
				my work of proclaiming the Law to the profane and expounding it 
				to the aspirant, I was set the task of analysing it in such a 
				way as to illuminate the most advanced. During most of the 
				winter I gave most of my spare time to the creation of 
				literature which corresponded nobly with this three fold labour. 
				I wrote the twelve stories Simon Iff in America. These 
				were a continuation of the previous The Scrutinies of Simon 
				Iff, but constructed for the most part on mere mechanical 
				principles. I may even compare them to chess problems. The 
				general method was to think of a situation as inexplicable as 
				possible, then to stop up all chinks with putty, and having 
				satisfied myself that no explanation was possible, to make a 
				further effort and find one. I find it hard to consider this 
				sort of thing as serious literature, and yet so ineradicable is 
				the artistic instinct in me that the Old Adam peeps out 
				sufficiently often to remove these stories from the category of
				jeux d'esprit. In particular, the story "Suffer the 
				Little Children", whose setting is in Florida as I knew it, 
				flames so fiercely with the passion excited in me by the 
				conditions which I found there, a passion which I cannot fairly 
				describe as pity, scorn, disgust, indignation, or even any 
				combination of these, that I believe this tale may stand like 
				the broken statue of Osymandias, in the eyes of a new 
				civilization, as a witness of the tyranny and abomination which 
				Christians have taught us to associate with the name of Christ. 
				It is at least an extremely accurate study of life in Florida; 
				the accuracy is guaranteed by the acuteness of the suffering of 
				the observer. One does not see children vivisected before one's 
				eyes without receiving an impression, and the emotion which in 
				ordinary cases might obfuscate and mislead the looker-on was in 
				my case transformed into an ideal stimulant of 
				clear-sightedness. I felt intensely that I had to have all my 
				wits about me in order to expose the atrocity of the 
				abominations which I was compelled to witness. The brilliance of 
				the story is striking evidence of the fierceness of my reaction 
				against the conditions of the backwoods life of the United 
				States. One of the chief reasons for the inexpressible intensity 
				of my feeling is doubtless that the nameless tortures which I 
				saw inflicted as a mere matter of routine upon women and 
				children as such broke open the sepulchre in which I had long 
				since buried my own sufferings at the hands of Evangelicalism 
				and released these fetid, noxious and malignant spectres once 
				more to prey upon my mind. 
				   — 
				The Confessions of Aleister Crowley.  
				New York, NY.  Hill and Wang, 1969.  Page 830.  ______________________________ 
				   
				     New 
				Orleans and San Antonio are said to be the only two towns in the 
				United States which possess souls of their own. That of New 
				Orleans was already being driven out under my eyes, and I dare 
				say that by this time the work of destruction is complete. 
				Probably San Antonio has shared its fate. The most depressing 
				feature in the country is the uniformity of the towns. However 
				singular the geographical situation and its topographical 
				peculiarities, the possibilities of beauty have been nullified 
				by the determination of the people to do everything just right, 
				according to the measure in fashion. Wherever one is, sooner or 
				later, one gets tired of one's surroundings. In Europe, the cure 
				is easy. One toddles along to the next place sure of finding 
				some novelty. In America, however far one goes, the same hideous 
				homogeneity disappoints one. The relief conferred by the old 
				quarter of New Orleans threw me instantly into an ecstasy of 
				creative energy. I wrote day and night continuously — poems, 
				essays and short stories. My principal invention was the 
				detective "Simon Iff" whose method of discovering the solution 
				of a problem was calculation of the mental and moral energies of 
				the people concerned. 
				     I 
				wrote a series of six stories about his exploits and followed it 
				by The Butterfly Net or the Net, a novel in which 
				he is a secondary character. In this novel I have given an 
				elaborate description of modern magical theories and practices. 
				Most of the characters are real people whom I have known and 
				many of the incidents taken from experience. 
				    — 
				The Confessions of Aleister Crowley.  
				New York, NY.  Hill and Wang, 1969.  Page 777.  ______________________________ 
				   
				     The 
				misery which I underwent at this time had done much to cloud my 
				memory. I do not clearly remember, for example, my reasons for 
				going to New Orleans almost immediately after returning from 
				Lake Pasquaney. It was my last glimpse of beauty for a long 
				while. The old French-Spanish quarter of the city is the only 
				decent inhabited district that I discovered in America. From the 
				architecture to the manners of the people, their clothes, their 
				customs and their cookery, all was delightful. It was like being 
				back in Europe again with the added charm of a certain wildness 
				and romance; it was a civilization sui generis, with its 
				own peculiar adornment in the way of history. It enabled me to 
				realize the spirit of the Middle Ages as even the most remote 
				and time-honoured towns of Europe rarely do. I took a room 
				conveniently close to the Old Absinthe House, where one could 
				get real absinthe prepared in fountains whose marble was worn by 
				ninety years' continual dripping. The result was that I was 
				seized by another of my spasms of literary creation, and this 
				time, the definite sexual stimulus which I had imagined as 
				partly responsible for such attacks was, if not absent, at least 
				related to an atmosphere rather than to an individual. 
				     It 
				lasted, if I remember rightly, some seventeen days. I completely 
				lost track of the properties of times and place. I walked over 
				to the Absinthe House in my shirt sleeves on one occasion 
				without being in the slightest degree aware of the fact. My best 
				work was an essay "The 
				Green Goddess", descriptive of the Old Absinthe House 
				itself in particular, and the atmosphere of the quarter in 
				general. It may be regarded as the only rival to "The Heart of 
				Holy Russia" for literary excellence and psychological insight. 
				I wrote also The Scrutinies of Simon Iff, a series of six 
				more or less detective stories; two or three less important 
				essays; some short stories, of which I may mention "Every 
				Precaution" for its local colour; and all but the last two or 
				three chapters of my first serious attempt at a long novel, 
				The Net.  
				   — 
				The Confessions of Aleister Crowley.  
				New York, NY.  Hill and Wang, 1969.  Page 817. |  |