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				Title: | 
				Jephthah.  
				A Tragedy. |  |   
				
				 
				
				Upper Cover   
				
				 
				
				Lower Cover   
				
				 
				
				
				Interior Cover   
				
				 
				
				
				Title Page   
				
				 
				
				
				Dedication   
				
				 
				
				
				Text   
				
				 
				
				
				Staples - Front of Book   
				
				 
				
				
				Staples - Rear of Book |  
				| 
				Print 
				
				Variations: | 
					
						| 
						25 
						copies printed on machine-made paper.1 
						All edges cut.3 
						Bound with staples in glued on gray wrappers.1 
						 
						Upper cover lettered in a black auto-lithograph script ‘Aleister Crowley | 
						“Jephthah” 
						| [rule]’.1 
						8 3/8” x 5 1/2”.3 
                 
                ______________________________ 
                    
                One copy rebound by Zaehnsdorf in full 
				blue crushed levant morocco 
                        leather for presentation to the dedicatee (Gerald Kelly).4 
                Gilt panels on spine.4 
                Gilt borders and dentelles.4 
                Original wrappers bound in.4 
                8 1/4” x 5 1/2”.4 |  |  |  
				| 
				
				Publisher: | 
				Privately 
				published. |  |  
				| 
				
				Printer: | 
				The 
				Chiswick Press.1  |  |  
				| 
				
				Published At: | 
				London.1 |  |  
				| 
				Date: | 
				circa 
				November 1898. |  |  
				| 
				
				Edition: | 
				1st 
				Edition. |  |  
				| 
				Pages: | 
				ii + 71.3 |  |  
				| 
				Price: | 
				Marked as 
				“Not for Sale.”1 |  |  
				| 
				
				Remarks: | 
				Dedicated to Gerald 
                Kelly.1 
				
				This series of three pamphlets, including “The 
				Poem” and “The 
				Honourable Adulterers” were printed from the paged type of 
                “Jephthah and Other 
				Mysteries,”
				which was then in the press, and were issued 
				separately as advance editions.2 |  |  
				| 
				
				Pagination:3 | 
					
						| 
						
						Page(s) | 
				  |  
						| 
						[  
						i] | 
						
						Title-page |  
						| 
						[  
						ii] | 
						
						Blank |  
						| 
						[  
						1] | 
						
						Fly-title |  
						| 
						[  
						3] | 
						
						Dedication |  
						| 
						[  
						4] | 
						
						Persons of the play |  
						| 
						[5 
						- 69] | 
						
						Text |  
						| 
						
						[70 - 71] | 
						
						Note |  
						| 
						
						[  ] | 
						
						Blank |  |  |  
				| 
				
				Contents: | 
				  |  |  
				| 
				Author’s 
				
				Working 
				 
				Versions: | 
					
						| 
						1. | 
						
						Bound holograph manuscript with revisions in the hand of 
						Aleister Crowley.  Pages:  367.  Dated:  1898.  Box 7, 
						Folders 5-6. 
						Harry Ransom Center, Austin, TX. |  
						| 
						2. | 
						
						Printed version with revisions in the hand of Aleister 
						Crowley.  Pages:  224.  Dated:  1898.  Box 7, Folder 7. 
						Harry Ransom Center, Austin, TX. |  |  |  
				| 
				Other 
				
				Known 
				
				Editions: | 
					
						| 
						+ | 
						
						
                        Jephthah and Other Mysteries.  Lyrical and Dramatic. 
						
						
						Kegan Paul, Trench, Trübner & Co., London, 1899. |  
						| 
						+ | 
						
						
						The Collected Works of Aleister Crowley, Vol. I, 
                        Society for the Propagation of Religious Truth, 
						Boleskine, Foyers, Inverness, 1905. |  |  |  
				| 
				
				
				Bibliographic 
				
				Sources: | 
					
						| 
						
						1. | 
						
						L. C. R.
						Duncombe-Jewell, Notes Towards An Outline of 
						A Bibliography of the Writings in Prose and Verse of Aleister Crowley, The Works of Aleister Crowley, 
						Volume III, Appendix A, Gordon Press, New York, 1974, p. 
						235.    |  
						| 
						
						2. | 
						
						Ibid., p. 233. |  
						| 
						
						3. | 
						
						Dianne Frances
						Rivers, A Bibliographic List with 
						Special Reference To the Collection at the University of 
						Texas,  Master of Arts Thesis, The University 
						of Texas, Austin, Texas, 1967, p. 10. |  
						| 
						
						4. | 
						
						Timothy d’Arch Smith, 
				
						“Aleister Crowley’s Aceldama 
						(1898):  The A B Copy”, Book Collector, 56, 2 (Summer 
						2007), p. 221. |  |  |  
				| 
				Comments 
				by 
				
				Aleister 
				 
				Crowley: | 
                     During the 
                whole summer, the weather got steadily worse and my health took 
                the same course.  I found myself obliged to leave the camp and 
                go to London to see doctors.  I took rooms in an hotel in 
                London, attended to the necessary medical treatment and spent my 
                time writing poetry.  The play Jephthah was my principal 
                work at this period.  It shows a certain advance in bigness of 
                conception; and has this notable merit, that I began to realize 
                the possibility of objective treatment of a theme.  Previous to 
                this, my lyrics had been more or less successful expressions of 
                the ego; and I had made few attempts to draw characters who were 
                not more than Freudian wish phantasms — I mean by this that 
                they were either projections of myself as I fancied myself or 
                aspired to be; otherwise, images of women that I desired to 
                love.  When I say “to Love”, I doubt whether the verb meant 
                anything more than “to find myself through”.  But in Jephthah, 
                weak as the play is, I was really taking an interest in other 
                people.  The characters are not wholly corrupted by 
                self-portraiture, I suck to the Hebrew legend accurately enough, 
                merely introducing a certain amount of Cabbalistic knowledge.— 
                The 
                Confessions of Aleister Crowley.  
                New York, NY.  Hill and Wang, 1969.  Page 165.
 
                ______________________________ 
                   
                On my 
                return from Switzerland in 1898, I had nowhere in particular to 
                go.  There was no reason why I should settle down in any special 
                place.  I simply took a room in the Cecil, at that remote period 
                a first-class hostelry, and busied myself with writing on the 
                one hand and following up the magical clues on the other.  Jephthah, 
                and most of the other poems which appear in that volume, were 
                written about this period. It is a kind of backwater in my life. 
                 I seem to have been marking time.  For this reason, no doubt, I 
                was the more ready to be swept away by the first definite 
                current.  It was not long before it caught me. 
                     — 
                The 
                Confessions of Aleister Crowley.  
                New York, NY.  Hill and Wang, 1969.  Page 172. |  |  
				| 
				
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