|  | 
			
				| 
                THE 
				EQUINOX 
                 
                VOLUME 
                I, 
                NUMBER 
                III 
 |  
			
				|  | 
				
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				Title: | 
                The 
				Equinox (Volume I, Number III).  
				The Official Organ of the A\A\ |  | 
				
				 
				
				
				Upper Cover 
				
				
				
				State (a)   
				
				 
				
				
				Upper Cover 
				
				
				
				State (b)   
				
				 
				
				
				Lower Cover 
				
				
				
				State (b)   
				
				 
				
				
				Spine 
				
				
				
				State (b)   
				
				 
				
				
				Title Page    
				
				 
				
				Advertisement from 
				
				
				
				The Duece and All 
				
				
				by George Raffolovich   |  
				| 
				Print 
				
				Variations: | 
					
						| 
						
						
						State (a): | 
						50 
                        “deluxe edition” subscription copies bound in white 
                        buckram.1 
						Upper cover stamped in gilt ‘THE EQUINOX’ within a gilt 
                        frame that is crossed horizontally by 16 gilt lines.2 
						 Spine stamped in gilt horizontally across the spine 
						[within a gilt frame] ‘THE | EQUINOX| [6 horizontal 
						lines] | VOLUME I | NUMBER III | [8 rules] | 
                        
                        ¤ 
                        IN 
                        
                        ^ 
                        | AN VI’2 
						Top 
						edge gilt.5 
						The 
						Deluxe editions were slightly larger than the standard 
						issue due to the pages not being trimmed.5 |  
						| 
						
						
						State (b): | 
                        
                        1000 copies for the early numbers and less (probably 
						500) for later numbers.3 
                        Bound 
						in decorated papered boards.1  
						 
                        Upper cover has an Equinox “coat of arms” design.2 
                        Brown cloth spine with a printed title label.1 
                        Spine has a paper label lettered in black within a black 
						frame ‘THE | EQUINOX | VOLUME ONE | NUMBER THREE 
						|[horizontal rule] | SIMPKIN, MARSHALL, | HAMILTON, KENT 
						& CO. | LIMITED’2 
                        9 1/2” x 7 3/8”. |  |  |  
				| 
				
				Publisher: | 
				Simpkin, 
				Marshall, Hamilton, Kent and Co.1 |  |  
				| 
				
				Printer: | 
				Ballantyne 
				& Company, Limited.2
                 |  |  
				| 
				
				Published At: | 
				London.1 |  |  
				| 
				Date: | 
				March 
				1910.2 |  |  
				| 
				
				Edition: | 
				1st 
				Edition. |  |  
				| 
				Pages: | 
				xviii + 
				332 + 76 (Supplement) + vii advertisements.2 |  |  
				| 
				Price: | 
				Priced at 
                1 guinea6 for the subscriber‘s edition and 5 shillings2 for the 
                regular edition. |  |  
				| 
				
				Remarks: | 
				The title 
				page is printed in black and red.2 
				This 
				volume had already been printed and was at the binders when 
				Crowley received word that MacGregor Mathers had obtained an 
				injunction to prevent publication.  The fifty Deluxe 
				buckram copies had already been bound and so went out to 
				subscribers.  The remaining ordinary copies were held until 
				the outcome of the court case was settled.  Once the 
				verdict was rendered in Crowley's favor he had the original 
				editorial page removed from the ordinary copies and replaced 
				with a 'cancel' giving details of the court case.7  
				The editorial contained in the “deluxe edition” subscription 
				copies is different from the editorial contained in the 
				“standard” edition.  The editorial originally read, at the 
				bottom of page 1, “Mr. H. Sheridan-Bickers will lecture on 
				behalf of The Equinox during the year.  We shall be glad if 
				our readers will arrange with him through us to speak in their 
				towns.  Mr. Bickers makes no charge for lecturing, and The 
				Equinox may assist if desired in meeting the necessary 
				expenses.”  This original editorial was excised and a 
				modified editorial was tipped into the “standard” edition that, 
				at the bottom of page 1, now read “Two days after the bound 
				advance copies of this Number were delivered by the printer, an 
				order was made restraining publication, continued by Mr. Justice 
				Bucknill, and dissolved by the Court of Appeal.” 
				2
                
				 
				
				Some of the 
                “deluxe edition” subscription copies have a color 
                frontispiece of the Equinox “coat of arms” design which is not 
				present in the standard editions.4 |  |  
				| 
				
				Pagination:2 | 
					
						| 
						
						Page(s) | 
				  |  
						| 
						
                        [i-ii] | 
						
                        Blanks |  
						| 
						[  
						iii] | 
						
                        The Equinox |  
						| 
                        
                        [iv-vii] | 
						
                        Advertisements |  
						| 
						[  
						viii] | 
						
                        ‘£10 REWARD’ |  
						| 
						[  
						ix] | 
						
                        Advertisement |  
						| 
						[  
						x] | 
						‘This 
						page reserved for Official Pronouncements by the 
						Chancellor of the A\A\’ |  
						| 
						
                        
                        [  xi] | 
						
                        
                        Half-title |  
						| 
						[  
						xii] | 
						
                        ‘The Editor will be glad to consider contributions and 
						to return such as are unacceptable if stamps are 
						enclosed for the purpose.’ |  
						| 
						[  
						xiii] | 
						
                        Title-page |  
						| 
						[  
						xiv] | 
						
                        Blank |  
						| 
						[  
						xv] |  |  
						| 
						[  
						xvi] | 
						
                        Blank |  
						| 
						[  
						xvii] | 
						
                        Illustrations |  
						| 
						[  
						xviii] | 
						
                        
                        Blank |  
						| 
						
                        [1-331] | 
						
                        Text |  
						| 
						
                        
                        [332] | 
						
                        
                        Blank |  
						| 
						
                        
                        [  1] | 
						
                        
                        Divisional title ‘LIBER DCCCCLXIII’ |  
						| 
						
                        
                        [  2] | 
						
                        
                        Blank |  
						| 
						
                        
                        [  3] | 
						‘A\A\ 
                        Publication in Class B.’ |  
						| 
						
                        
                        [  4] | 
						
                        
                        Illustration |  
						| 
						
                        
                        [  5] | 
						
                        
                        ‘A\A\ 
                        | Publication in Class A | A NOTE UPON LIBER DCCCCLXIII’ |  
						| 
						
                        
                        [  6] | 
						
                        
                        Title-page ‘THE TREASURE-HOUSE OF IMAGES | Here 
						beginneth the Book of | the Meditations on the | 
						Twelvefold Adora- | tion, and the | Unity of | GOD.’ |  
						| 
						
                        
                        [7-76] | 
						
                        
                        Text |  
						| 
						
                        
                        [i-vii] | 
						
                        
                        Advertisements |  |  |  
				| 
				
				Contents: | 
                  
                    | 
                    - | 
                    Editorial |  
                    | 
                    - | 
                    Liber XIII |  
                    | 
                    - | 
                    AHA!
                 |  
                    | 
                    - | 
                    The Herb Dangerous—(Part II The Poem Of Hashish. By Charles 
					Baudelaire. (Translated By Aleister Crowley) |  
                    | 
                    - | 
					An Origin |  
                    | 
                    - | 
                    The Soul-Hunter |  
                    | 
                    - | 
                    Madeleine |  
                    | 
                    - | 
                    The Temple Of Solomon The King (Book II—Continued) |  
                    | 
                    - | 
                    The Coming Of Apollo |  
                    | 
                    - | 
                    The Brighton Mystery |  
                    | 
                    - | 
                    Reviews |  
                    | 
                    - | 
                    The Shadowy Dill-Waters |  
                    | 
                    - | 
                    Liber DCCCCLXIII—The Treasure-House Of Images.  
					(Special Supplement) |  
                    | 
                    - | 
                    Stop Press Reviews |  
                    | 
					   
					 |  
                    | 
                    
					Illustrations |  
                    | 
					- | 
                    The Slopes Of Abiegnus (Facing Page 4) |  
                    | 
					- | 
                    The Student (Facing Page 10) |  
                    | 
					- | 
                    The Complete Symbol Of The Rose And Cross (Facing Page 210) |  
                    | 
					- | 
                    The Elemental Symbols And Cherubic Emblems (Facing Page 212) |  
                    | 
					- | 
                    The Lid Of The Pastos (Facing Page 218) |  
                    | 
					- | 
                    The Ceiling Of The Vault (Facing Page 222) |  
                    | 
					- | 
                    The Floor Of The Vault (Facing Page 222) |  
                    | 
					- | 
                    The Circular Altar (Facing Page 222) |  
                    | 
					- | 
                    The Rose And Cross (Facing Page 222) |  
                    | 
                	SPECIAL SUPPLEMENT |  
                    | 
					- | 
                The 
				Triangle Of The Universe (Facing Page 4) |  
                    | 
					- | 
                The Greek 
				Cross Of The Zodiac (Facing Page 70) |  |  |  
				| 
				Author’s 
				
				Working 
				 
				Versions: |  |  |  
				| 
				Other 
				
				Known 
				
				Editions: |  |  |  
				| 
				
				
				Bibliographic 
				
				Sources: | 
					
						| 
						
						1. | 
						Gerald 
						Yorke,  
						
						“A 
						Bibliography of the Works of Aleister Crowley” 
						(Expanded and Corrected by Clive Harper from Aleister 
						Crowley, the Golden Dawn and Buddhism:  
						Reminiscences and Writings of Gerald Yorke, Keith 
						Richmond, editor, The Teitan Press, York Beach, ME, 
						2011, pp. 53-54.    |  
						| 
						
						2. | 
						
						Personal observation of the item. |  
						| 
						
						3. | 
						
						Weiser Antiquarian Books, Catalog # 97, “Aleister 
						Crowley.  Used and Rare Books and Ephemera.” |  
						| 
						
						4. | 
						J. 
						Edward Cornelius, The Aleister Crowley Desk 
						Reference, The Teitan Press, York Beach, Maine, 
						2013, p. 110. |  
						| 
						
						5. | 
						
						Weiser Antiquarian Books, Catalog # 26, “Aleister 
						Crowley Rarities.  Books and Manuscripts.” |  
						| 
						
						6. | 
						
						Martin Booth, A Magick Life, Hodder and 
						Stoughton, London, 2001, p. 266. |  
						| 
						
						7. | 
						
						Keith Richmond, Progradior & the Beast:  Frank 
						Bennett & Aleister Crowley, Neptune Press, London, 
						England, 2004, pp. 68-69. |  |  |  
				| 
				Comments 
				by 
				
				Aleister 
				 
				Crowley: | 
                     
				“The Equinox” should have been, on its merits, a very successful 
				venture. Frank Harris had generously given me one of the best 
				stories he ever wrote, “The Magic Glasses”. Fuller had 
				contributed a gargantuan preface to
                The 
				Temple of Solomon the King (the title of the story of 
				my magical career), a series of sublimely eloquent rhapsodies 
				descriptive of the various possible attitudes towards existence. 
				There were three important instructions in Magick; the best poem 
				of its kind that I had so far written, “The Wizard Way”; “At the 
				Fork of the Roads”, a true and fascinating story of one of my 
				early magical experiences;
                The 
				Soldier and the Hunchback ! and ? which I still think one 
				of the subtlest analyses that has ever been written on ontology, 
				with its conclusion: that ecstatic affirmation and sceptical 
				negation are neither of them valid in themselves but are 
				alternate terms in an infinite series, a progression which is in 
				itself a sublime and delightful path to pursue. Disappointment 
				arises from the fear that every joy is transient. If we accept 
				it as such and delight to destroy our own ideals in the faith 
				that the very act of destruction will encourage us to rebuild a 
				nobler and loftier temple from the debris of the old, each phase 
				of our progress will be increasingly pleasant. “pi alpha mu phi 
				alpha gamma epsilon pi alpha gamma gamma epsilon nu epsilon tau 
				omega rho”, “All devouerer, all begetter”, is the praise of Pan. 
                     — The Confessions of Aleister Crowley.  New 
				York, NY.  Hill and Wang, 1969.  Page 603. 
                ______________________________ 
                  
                     
				The supplement to the first number of
                The 
				Equinox is a plain reprint of my Magical Record in 
				Paris, mentioned above. I have omitted no detail of my doings. 
				My dinners, my dalliance and my other diversions are described 
				as minutely as my Magick, my mantras and my meditations. Nothing 
				of the sort had ever been published before. It is a complete 
				demonstration of the possibility of achieving the most colossal 
				results in conditions which had hitherto been considered an 
				absolute bar to carrying on even elementary work. It proves my 
				proposition that the efficacy of traditional practices is 
				independent of dogmatic and ethical considerations; and, 
				moreover, that my sceptical formulae based on a purely agnostic 
				viewpoint, and on the facts of physiology and psychology, as 
				understood by modern materialists, were entirely efficacious. 
                     In summary, let me add that
                The 
				Equinox was the first serious attempt to put before 
				the public the facts of occult science, so-called, since 
				Blavatsky’s unscholarly hotch-poch of fact and fable, Isis 
				Unveiled. It was the first attempt in history to treat the 
				subject with scholarship and from the standpoint of science. No 
				previous book of its kind can compare with it for the perfection 
				of its poetry and prose; the dignity and sublimity of its style, 
				and the rigidity of its rule never to make any statement which 
				could not be proved as precisely as the mathematician exacts. I 
				confess to being entirely proud of having inaugurated an epoch. 
				From the moment of its appearance, it imposed its standards of 
				sincerity, scholarship, scientific seriousness and aristocracy 
				of all kinds, from the excellence of its English to the 
				perfection of its printing, upon everyone with ambition to enter 
				this field of literature. 
                     It did not command a large public, but 
				its influence has been enormous. It is recognized as the 
				standard publication of its kind, as encyclopedia without 
				“equal, son, or companion”. It has been quoted, copied and 
				imitated everywhere. Innumerable cults have been founded by 
				charlatans on its information. Its influence has changed the 
				whole current of thought of students all over the world. Its 
				inveterate enemies are not only unable to ignore it, but submit 
				themselves to its sovereignty. It was thus entirely successful 
				from my personal point of view. I had put a pearl of great price 
				in a shop window, whose other exhibits were pasted diamonds and 
				bits of coloured glass for the most part, and at best, precious 
				stones of the cheaper and commoner kind. From the moment of its 
				appearance, everyone had to admit — for the most part with 
				hatred and envy in their hearts — that the sun had appeared in 
				the slum and put to shame the dips and kerosene lamps which had 
				lighted it till then. It was no longer possible to carry on 
				hole-in-the-corner charlatanism as heretofore.I printed only one thousand and fifty 
				copies, the odd fifty being bound subscription copies at a 
				guinea, and the rest in boards at five shillings. Had I sold a 
				complete edition straight out without any discounts my return 
				would thus have been three hundred pounds. The cost of 
				production was nearer four hundred. Similar figures apply to the 
				other nine numbers. In this way I satisfied myself that no one 
				could reproach me with trying to make money out of Magick. As a 
				matter of fact, it went utterly against the grain to take money 
				at all. When anyone showed interest in my poetry or my magical 
				writings, the attitude so delighted me that I felt it utterly 
				shameful to have any kind of commercial transaction with so 
				noble an individual, and I used, as often as not, to beg him to 
				accept the book as a present.
 
                     — The Confessions of Aleister 
				Crowley.  New York, NY.  Hill and Wang, 1969.  
				Pages 604-605. 
                ______________________________ 
                       
				To return to
                The 
				Equinox, there was no question of selling even that 
				small edition even at that pitiful price. I have never had any 
				idea of how to do business. I can make plans, both sound and 
				brilliant; but I cannot force myself to take the necessary steps 
				to put them into practice. My greatest weakness is that as soon 
				as I am sure that I can attain any given object, from climbing a 
				mountain to exploiting a beauty spot, I lose interest. The only 
				things I complete are those of which (as for instance, poetry 
				and Magick) I am not the real author but an instrument impelled 
				by a mysterious power which sweeps me away in effortless 
				enthusiasm which leaves no room for my laziness, cynicism and 
				similar inhibiting qualities to interfere. 
				     I did try to get a few booksellers to 
				stock
                The 
				Equinox but found myself immediately up against a 
				blank wall of what I must call Chinese conventionality. I 
				remember hearing of an engineer in the East who wanted to built 
				himself a house and employed a Chinese contractor. He pointed 
				out that the work would be much easier by using bricks of a 
				different size to that which the man was making. He obeyed, but 
				a day later went back to the old kind. The engineer protested, 
				but the man explained that his bricks were of a “heaven-sent” 
				size. 
				     So I found that the format of
                The 
				Equinox shocked the bookseller; worse still, it was 
				not a book, being issued periodically, nor a magazine, being to 
				big and well produced! I said, “What does it matter? All I ask 
				you to do is to show it and sell it.” Quite useless. 
				     — The Confessions of Aleister Crowley.  New 
				York, NY.  Hill and Wang, 1969.  Pages 605-606.  |  |  
				| 
				
				Reviews: | 
				    
                
                
				From Mssrs Simpkin, Marshall, & Co., London, comes the third 
				number (5s.), dated March 1910, of that mystical and esoteric 
				publication, The Equinox, the nature of which, as a 
				review of “Scientific Illuminism” and the official organ of the 
				A.A., has already been remarked upon in these columns when its 
				earlier numbers came out.  This number opens with a wholly 
				occult “Liber XIIL,” or “syllabus of steps upon the path,” 
				explaining (if that word can be properly used here) the 
				functions of various officers in some mysterious ritual.  
				There is an impossible poem by Allister Crowley, entitled “Aha!” 
				and a continuation of a translation by the same writer of a poem 
				by Baudelaire.  Mr George Raffalovich contributes a story; 
				there is a continuation of the description of “The Temple of 
				Solomon the King,” and the number, as a whole, has every 
				appearance of being likely to satisfy readers who must occupy 
				themselves, seriously or not, with Rosicrucianism, Buddhism, 
				Hashish-visions, and, in short, whatsoever is ultimately 
				incomprehensible. 
				—The Scotsman, 4 April 1910. 
                ______________________________ 
                  
				    
                
                The new 
				number of “The Equinox” continues to keep up the tradition of 
				the earlier numbers as to size, the mystical nature of its 
				contents, and the unintelligibility of many of its articles. . . 
				. 
				—Review of Reviews, date unknown. 
                ______________________________ 
                  
				    
                
                Here is 
				the weirdest muddle that one could well stumble across in this 
				most muddled age. . . . Powerfully individualistic, descending 
				sometimes nearly to the level of the sordid, soaring sometimes 
				to the heights of genius, the matter could not be reviewed 
				properly in twenty times the space that we can give it. . . . 
				Those who are certain of their sanity and the breadth of their 
				viewpoint should read this magazine when they get the 
				opportunity.  Theosophists will find the few references to 
				Theosophy anything but complimentary. . . . 
				—Theosophy in Scotland, date unknown. 
                ______________________________ 
                  
				    
                
                The 
				Equinox is permanent in its stately size and type, continuous in 
				its periodical character, permanent—in the value of its 
				contents. 
				—Vanity Fair, date unknown. 
                ______________________________ 
                  
				    
                
                
                Expensively printed lunacy, astrology, etc., in 
				oriental-occidental jargon. 
				
                —The Literary Guide, date unknown. 
                ______________________________ 
                  
				    
                
                It easily 
				takes rank as the most vigorous swearer and blasphemous in 
				respectable modern literature.  Moreover its swearing and 
				blasphemy are splendidly done, with immense style and glorious 
				colouring.  Its contributors certainly know how to write, 
				though occasionally they remind one of certain efforts that have 
				emanated from lunatic asylums where gorgeousness of imagination 
				and riotous language are by no means unknown.  But 
				underneath all, there is a huge wealth of knowledge, a few 
				indications of serious feeling, and a big flow of occult 
				thought.  Yet with all its “illuminism” it is so much of a 
				mocker that we have before us the figure of a Mephistopheles. . 
				. . The Equinox is put forth with a certain pomp, its writers 
				are by no means negligible in competence.  All we can say 
				is that they remind us of Diakkas and Jingles, and occasionally 
				of Colney Hatch. . . . The reference to black mass and the 
				chaotic mixture may possibly help to explain the rumours of 
				devil worship which were persistent not long ago.  Perhaps 
				we have here the key to that dark door. . . . 
				—The Light, date unknown. 
				______________________________ 
				  
				    
                
                A 
				mysterious publication called “The Equinox,” the official organ 
				of the A\ 
                A\ 
                has just been released upon a long-suffering world. . . . It is 
				a sort of thing no fellow can understand.  One gathers 
				vaguely out of the confusion that it deals with such things as 
				Magic, wizardry, mysticism, and so on; but what the special line 
				is, remains a baffling mystery. . . . From frequent references 
				to some people called The Brothers of the A\ 
                A\ 
                one gathers that they have a lot to do with this weird venture; 
				but a grim perusal of an article purporting to explain the Order 
				. . . leaves one without any real clue as to their identity.  
				True, the Chief of the Brothers is definitely names, his name 
				being “V.V.V.V.V.” but five V’s, do not strike one as a name 
				likely to be well known at any local post office. . . . One gets 
				all kinds of entertainments in “The Equinox” . . . Poetry gets a 
				strong show, but it is uncomfortable reading. . . .—The Morning Leader, date unknown.
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