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Mr.
Crowley has amplified the Biblical narrative, has given to the
savage figure of Ahab some-thing of the nobility of reason that
rebels against the tyranny of his fate. There is a modern
self-consciousness in this tragic, brooding monologue.
Mr.
Aleister Crowley's previous work has been eccentric, and at the
best he has done more to provoke curiosity than to give
confidence. Now he chooses to handicap himself by printing
his poems in a type that must inevitably impose restrictions
upon many readers.
—The
Manchester Guardian, date unknown.
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Mr. Aleister Crowley, not content with the usual risk of the
neglect that threatens minor poets, has had his verse set up in
what is apparently German black-letter. Thereby tempting
the most conscientious reviewer to take his volume as read.
—The
Glasgow Herald, date unknown.
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"Ahab and Other Poems", by Mr. Aleister Crowley is a sumptuous
volume, delightful to eyes accustomed to mediaeval script, but
puzzling to such as are not. The prettiest poem in the book is
"The Dream," from which we give the opening lines:
"Bend down in dream the shadow-shape
Of tender breasts and bare!
Let the long locks of gold escape,
And cover me and fall and drape,
A pall of whispering hair!
And let the starry eyes look through
That mist of silken light
And lips drop forth their honey-dew
And gentle sighs of sleep renew
The scented winds of night."
In "Melusine" Mr. Crowley has caught something of the
trick of reiteration of metaphor, which is familiar to all
readers of Mr. Swinburne, e.g.
And like a devil-fish is ice,
And like a devil-fish is cruel,
And like a devil-fish is hate."
"Thule" is, in the same stanza, made to rhyme with
"cruel"! The title-poem, which occupies two-thirds of the book,
is a most unsatisfactorory performance, but it is superior in
technique to the rest.
—The
Westminster Review, August 1903. |